"Tyler Bellmon and Mollie Vogt-Welch give standout performances as The Baker and The Baker’s Wife. Their timing is impeccable and they play opposite each other with ease. Watching these talented actors is worth the price of admission. Both of them elicit laughter as well as tears from the audience, no easy task."

-The Inquirer and Mirror, Nantucket, MA

"The real sparkle in this show came from Mollie Vogt-Welch as Guenevere. Many young ingenues can sing the role credibly but there are few who can pull off the huge emotional range the character requires. Vogt-Welch maneuvers this task majestically."

-Houston Chronicle

"Mollie Vogt-Welch's shimmery soprano soars in “Isabella’s Aria” in which Isabella sings of her loveless marriage to Heathcliff. Vogt-Welch and many of the cast members are exceptionally fine singers."

-Time Out New York

"Nellie has always been one of my favorite Rodgers and Hammerstein heroines. I was pleasantly surprised to find an even deeper affection for the character as I watched Mollie Vogt-Welch perform her take on the role. With a bright voice and a strut in her step, she led the show with grace, humor and a deep emotional connection to the material."

- Concord Monitor, Concord, NH

"Special note should be made of Mollie Vogt-Welch's Lily, Mary Lennox's long dead aunt, whose lilting soprano lifts act two's "Come to My Garden" and "How Could I Ever Know", the heart-rending duet with Archibald that makes you glad the audience sits in darkness so no one notices you weeping."

-Metroland, Albany, NY

"Lily (Mollie Vogt-Welch), whose sublime operatic voice shines in a marvelous quartet and seals the heartbreak in "Come to My Garden"

- The Daily Gazette, Schenectady, NY

"Most heard and addressed is Lily (Mollie Vogt-Welch), the mother of Colin and wife of Archibald. Vogt-Welch and Burden boast astounding, heart-wrenching voices. As the depressed Craven, Burden cries out to Vogt-Welch so achingly well it feels less like you're in the heart of downtown Albany and more like you're privy to an opera. Matching his talent is the angelic voice of Vogt-Welch, who has in fact performed at the Metropolitan Opera."

-Capital Guide, Albany, NY

"The role of Lily consistently demands a strong soprano, and Vogt-Welch delivers an unbridled five-star performance."

- Capital Weekend, Albany, NY

"Children who have spent the last months dressing as Elsa and Anna will find a new muse in Mollie Vogt-Welch's Lily, Colin's ghostly mother and the keeper of the garden, whose angelic appearance is enhanced by a soaring and ethereal voice."

- Albany Kids, Albany, NY

"Wendy was beautifully played by Mollie Vogt-Welch, who showed the character’s desire for adventure and youthful warmth as she played mother to the lost boys."

-Eagle River Gazette, Eagle River, Wisconsin

"Mollie Vogt-Welch played a storybook Wendy, gracefully projecting the femininity absent but needed in Neverland. Her handling of the role made it clear, to both the audience and the Lost Boys, that it's all very well to rebel and refuse to grow up, but that ultimately the game must end."

-The Tribune Democrat, Johnston, PA

"Wendy (Mollie Vogt-Welch) was sweet and nurturing as the "mother" of the Lost Boys. The iconic Act 1 scene in which Wendy and Peter first meet had the younger audience members enraptured and adults holding back tears."

-Caller Times, Corpus Christi, TX

"Mollie Vogt-Welch's portrayal of Jessie (the zany but well meaning bride to be) was a highlight of the evening. With great comic chops and a voice to match, her rendition of "I don't care" stopped the show."

-Usher Nonsense, NYC